Last edited by Visar
Monday, November 2, 2020 | History

8 edition of The Musician As Entrepreneur, 1700-1914 found in the catalog.

The Musician As Entrepreneur, 1700-1914

Managers, Charlatans, and Idealists

by William Weber

  • 24 Want to read
  • 32 Currently reading

Published by Indiana University Press .
Written in English

    Subjects:
  • Classical music (c 1750 to c 1830),
  • Composers & musicians,
  • Romantic music (c 1830 to c 1900),
  • Business & Economics,
  • Business / Economics / Finance,
  • Music/Songbooks,
  • Business/Economics,
  • Business Aspects,
  • Entrepreneurship,
  • Industries - General,
  • General,
  • History,
  • Music,
  • Music trade,
  • Social aspects

  • The Physical Object
    FormatHardcover
    Number of Pages269
    ID Numbers
    Open LibraryOL10228749M
    ISBN 100253344565
    ISBN 109780253344564


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The Musician As Entrepreneur, 1700-1914 by William Weber Download PDF EPUB FB2

Accomplishing this requires musicians to acquire social and business skills and to be highly opportunistic in what they do. In The Musician as Entrepreneur, –, international scholars investigate cases of musical entrepreneurship between around and in Britain, France, Germany, and the United States.

In The Musician as Entrepreneur, –, international scholars investigate cases of musical entrepreneurship between around and in Britain, France, Germany, and the United States. By uncovering the ways in which musicians such as Telemann, Beethoven, Paganini, and Liszt conducted their daily business, the authors reveal how 3/5(1).

To be successful, a musician often has to be an entrepreneur: someone who starts a performing venue, develops patrons, and promotes the project aggressively.

Accomplishing this requires musicians to acquire social and business skills and to be highly opportunistic in what they do. In The Musician as 1700-1914 book, –, international scholars investigate cases of musical. 1. William Weber, "The Musician as Entrepreneur and Opportunist, " 2.

Richard Leppert, "The Musician of the The Musician As Entrepreneur II. Early Musical Entrepreneurs 3. Tanya Kevorkian, "Changing Times, Changing Music: 'New Church' Music and Author: William E. Weber. In "The Musician as Entrepreneur, ", international scholars investigate cases of musical entrepreneurship between around and in Britain, France, Germany, and the United States.

By uncovering the ways in which musicians such as Telemann, Beethoven, Paganini, and Liszt conducted their daily business, the authors reveal how. Get this from a library. The musician as entrepreneur, managers, charlatans, and idealists.

[William Weber;] -- "The Musician as Entrepreneur, examines the activities of a variety of musical entrepreneurs in Britain, France, Germany, and the United States." "The ten contributors to the book explore.

The musician as entrepreneur, managers, charlatans, and idealists. Add to My Bookmarks Export citation. Type Book Author(s) William Weber Date c Publisher Indiana University Press Pub place Bloomington ISBN This item appears on. List: MUS Live Music Industry.

This collection presents eleven essays, most of which originated in a conference organized by editor William Weber. Weber himself is arguably the most inflAuthor: Ruth A. Solie. If you're the person in the band who runs the PA, this is the book you've been waiting for.

Live Sound for Musicians gives motivation to analyze information and is also useful when criticizing plots; or it is a well-written section if the character is properly designed, if the narrative sounds innocent, etc.

If you ever have the opportunity to. THE MUSICIAN AS ENTREPRENEUR, – MANAGERS, CHARLATANS, AND IDEALISTSBloomington and Indianapolis: Indiana University Press, pp.

vi +ISBN 0 5 - Volume 4 Issue 1. Tonkunst, literally "The Art of Tone", is an 1700-1914 book term in the German language applied for art music of the 19th century, and often used in music history and musical aesthetic representations. It probably originated from the need to give the music a place among the classical arts like architecture, sculpture, painting, prose and poetry, and also recognize the composer or.

Reluctant entrepreneurs: musicians and entrepreneurship in the ‘new’ music industry how the figure of the entrepreneur and the artist/musician share much in common and reflect various. Author of The Musician As Entrepreneur,Music and the Middle Class, The Romantic revolution in the arts, (The Forum series), th Airborne (Rct, The Great Transformation of Musical Taste, Neither Victor Nor Vanquished America In Written works: th Airborne Rct.

He is author of The Musician as Entrepreneur, (IUP, ), Music and the Middle Class: The Social Structure of Concert Life in London, Paris and Vienna between andThe Rise of Musical Classics in Eighteenth-Century England: A Study in Canon, Ritual, and Ideology, and The Great Transformation of Musical Taste: Concert Author: Natasha Loges, Laura Tunbridge.

The Musician As Entrepreneur, Managers, Charlatans and Idealists. Dion Fortune's Book of the Dead. Information systems; achieving success by avoiding failure. Brooklyn is; Southeast of the island; travel notes. Sons of Ishmael; Muslims through European eyes in the Middle Ages.

The Musician As Entrepreneur, Managers, Charlatans and Idealists. Anthology of Impressionistic Piano Music--Intermediate- to Early-Advanced Works by Twenty Composers.

The Steinway Collection, Paintings of Great Composers, with Essays by James Huneker. Echoes and Reflections: Media Ecology as a Field of Study. Accomplishing this requires musicians to acquire social and business skills and to be highly opportunistic in what they do.

In "The Musician as Entrepreneur, ", international scholars investigate cases of musical entrepreneurship between around and in Britain, France, Germany, and the United States. The Musician as Entrepreneur, Managers, Charlatans and Idealists.

Indiana University Press, pp. ISBN [Book Section]. Early life. He was born to Joseph de Riquet, Prince de Chimay and Prince de Caraman (of Belgium), and Marie Joséphine Anatole de for its Belgian "château de Chimay", his family was noted for its patronage of music and the of his sisters was Élisabeth de Riquet de Caraman-Chimay, the Countess Greffulhe.

Career. The Born: 4 JulyParis, France. The Musician as Entrepreneur, William E Weber Inbunden. Luxury and Gender in European Towns, Travel and Tourism in Britain, av Allan Brodie. Inbunden Engelska, Bevaka This book is devoted to the seafront, the space between the seaward ends of seaside piers and the first line of.

The Musician as Entrepreneur, Managers, Charlatans, and Idealists by William Weber (Editor) avg rating — 3 ratings — published Setting a reading intention helps you organise your reading. You can filter on reading intentions from the list, as well as view them within your profile.

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The Musician As Entrepreneur, Managers, Charlatans and Idealists. KOP IDOL. “ The Musician as Entrepreneur and Opportunist, –” Pp. 3 – 24 in The Musician as Entrepreneur, – Managers, Charlatans, and Idealists, edited by Weber, William.

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ical Responses, Book Fora, and Book Reviews Allan, Janice M. Review: Harrison and Fantina, eds., Victorian Sensations: Es-says on a Scandalous Genre, Anger, Suzy. Review: Morton, "The Bus-iest Man in England": Grant Allen and the Writing Trade,; Greenslade, ed., Grant Allen: Litera-ture and Cultural Politics at the Fin de.

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Scott, ‘The Sexual Politics of Victorian Musical Aesthetics’, in From the. In fact, entrepreneurship is the focus of a collection of essays—The Musician as Entrepreneur, –, edited by William Weber—that addresses consumerism in all but name, examining the ways individuals embodied and drove changes in the musical market-place.[9] Weber’s volume emphasizes the roles of composers, performers, and patrons.

“Countess Greffulhe as Entrepreneur: Negotiating Class, Gender, and Nation” in The Musician as Entrepreneur, Managers, Charlatans, and Idealists, ed. William Weber (Bloomington: Indiana University Press, ), Anger, Suzy. Review: Morton, “The Busiest Man in England”: Grant Allen and the Writing Trade, –, –65; Greenslade, ed., Grant Allen: Literature and Cultural Politics at the Fin de Siècle, – Google Scholar.

Google Scholar. McVeigh, Simon. An Audience for High-Class Music: Concert Promoters and Entrepreneurs in Nineteenth-Century London. In: W. Weber, ed. The Musician as Entrepreneur, Managers, Charlatans and Idealists.

Indiana University Press. The Musician as Entrepreneur, Bloomington: Indiana University Press, AVA LAWRENCE has worked, specializing in licensing, for a number of entertainment companies in Los Angeles, and New York including Virgin Records, GRP Records, Modern Records, New World Entertainment, and TVT Records/TVT Music, Inc.

She is an Assistant. William Weber, "Overview of the Subject," in The Musician as Entrepreneur, Managers, Charlatans, and Idealists, ed. William Weber (Bloomington: Indiana University Press, ),here 6. Dies mentions a concert which Haydn organized "auf eigene Kosten" (at his own expense), after his.

3 For more on this organization, see my “Countess Greffulhe as Entrepreneur: Negotiat-ing class, Gender and Nation” in: William Weber (ed.), The Musician as Entrepreneur. (Bloomington, ), p. 22 Please read our short guide how to send a book to Kindle. Save for later.

You may be interested in. Most frequently terms. musical instruments opera performers singers cambridge orchestra vocal instrumental musicians composers oxford concert singing Victorian Studies, which began publication inis devoted to the study of English culture of the Victorian includes interdisciplinary articles on comparative literature, social and political history, and the histories of education, philosophy, fine arts, economics, law, and science.

The Musician as Entrepreneur, Managers, Charlatans and Idealists, W. Weber, editor (Bloomington: Indiana University Press, ); conference at the William Andrews Clark Library, ; includes my Introduction and "From the Self-Managing Musician to the Independent Concert Agent.". Following his widely-cited book on London concert life in the late eighteenth century (Concert Life in London from Mozart to Haydn) and the associated Calendar of London ConcertsSimon McVeigh’s research on music in Britain is now largely centred on the period around The AHRC-funded project ‘The Transformation of London Concert Life,’ (in.

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The Musician as Entrepreneur, ­ is the outgrowth of an interdisciplinary conference organized by the indefatigable William Weber in The eleven essays collected here explore the interaction and interdependency of the musician and music in society and the growing entrepreneurial skills required in various working environments.He edited Wagnerism in European Culture and Politics (Cornell University Press, ) and The Musician as Entrepreneur, (Indiana University Press, ).

He has been a member of doctoral committees in France, Finland and Canada as well as the United States and is an Associate of the William Andrews Clark Memorial Library at the Author: William Weber.